Theatre Reviews

There’s an aspect of timelessness to Chicago. With a brilliant combination of music, movement and murder, it all comes together in a deliciously dark spectacle that still feels fresh since its debut in the '70s.

Despite sitting in one of the furthest seats from the stage, I didn’t miss a second of Ryan Kopel’s stunning performance as Evan Hansen.

“Well-rehearsed choreography and harmonious vocals tie the show together with a piece of outrageously garish ribbon.”

WNO's Suor Angelica e Gianni Schicchi Despite the unfortunate news of a reduction in their funding this year, the Welsh National Opera...